Andréa Keys Connell (b. 1980) is an Associate Professor of Ceramics at Appalachian State University. Her sculptural work has been featured in The New York Times, Colossal, and exhibited internationally, including the Jane Hartsook Gallery (NYC) and the Gaya Culture and Art Center (Korea). With over 20 solo exhibitions since 2009, she is represented by Blue Spiral 1 (Asheville, NC) and J Mackey Gallery (East Hamptons, NY). In addition to her studio practice, Andréa engages in public art and collaborative projects—most recently with Susan Alexandra, featured in Wirecutter. A passionate educator, she has taught workshops at Penland, Haystack, Arrowmont, and The Met, and has presented as a demonstrating artist at NCECA, Women Working in Clay, and The Bascom. Her work is rooted in storytelling, community, and the transformative power of craft.
“My sculptures emerge from the deep presence of love, longing, humor, and grief that have shaped my life since becoming a mother. Each piece seeks to express the universal, nonverbal experience of motherhood—that intimate space where joy and sorrow coexist, transforming how I see and move through the world. Figures and natural forms lean, support, and embrace—sometimes in harmony, sometimes on the verge of collapse. In my studio, a sculpture about holding sits beside one about breaking. These ideas are inseparable: we hold to avoid breaking, and we break because we understand the weight of holding. I work with a gritty, earthen clay body rich in sand, grog, and fiber. Its raw, vulnerable surface mirrors the emotional terrain I navigate. My process is fast, responsive, and urgent—reflecting the interrupted, chaotic beauty of life as a working mother. I reject the notion that solitude is required for meaningful art. My life is my practice. The mess, the interruptions, the care—they’re all part of it. Motherhood has given me a language to explore what I value most: the ways we care for each other, and how that care reshapes us.”
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Learn More: andreakeys.com